People sometimes ask about me. You can find more of me on my WordPress profile, or on Facebook via this blog.
The other question I get is, “What made you decide to blog the writings of an Elizabethan cat?” My friends tend to ask this in the pub, looking a tad dazed. And not because they’ve been drinking.
The answer is (of course) the discovery and decoding of the papers in my neighbour’s dress-basket. But there’s more, which I’ll keep as short as possible.
In mid-2014 I was researching a topic that had nothing to do with either cats or Henry Wriothesley, 3rd Earl of Southampton, when I chanced upon a reference to his refusal to be married to Elizabeth de Vere.
She was the daughter of the 17th Earl of Oxford and granddaughter of William Cecil, Lord Burghley. The Earl of Southampton was a teenager. William Cecil was his guardian and, as Elizabeth I’s chief adviser, the most powerful man in England.
Said I to my writing buddy, “That makes three things I like about the Earl of Southampton: he was a patron of Shakespeare, he had his portrait painted with a cat, and he said ‘No’ to William Cecil – not something many people would’ve done.”
“Good for him,” said she, and we went on to discuss our current projects.
Later it occurred to me that was pretty much all I did know about him.
I dimly recalled that, as a young man, he’d earned Elizabeth I’s hostility by secretly marrying his pregnant girlfriend.
And that he’d supported the Earl of Essex’s disastrous uprising in early 1601, but his death sentence was commuted to imprisonment in the Tower of London. Hence his famous “Tower Portrait” with a cat.
I decided to find out more. One search led to another, and then to a truly fantastic world. Apparently, the Earl of Southampton and William Shakespeare were an Item.
Few agree on exactly what sort of an Item, but there are some amazing scenarios out there. The Clues! The Codes! The Conceits! Here are my three favourites.
The Love Triangle
First, he tries to talk a lovely lad (nowadays referred to as the Fair Youth) into reproducing.
Then he declares his own love for him. Alas, the ingrate reciprocates by stealing Shakespeare’s mistress. She’s a Dark Lady.
Shakespeare gives his male beloved a few tellings-off (as only an aggrieved poet with an exquisite turn of phrase could), but stays friends with him anyway.
That suggests the Fair Youth is rich, or why bother? Shakespeare also frets about a rival poet, presumably because he too is after handouts from said Fair Youth.
About 200 years after Shakespeare’s death, Nathan Drake, in his Shakspeare and His Times (1817), suggested that the sonnets were addressed to the Earl of Southampton – a theory that’s found favour with many Shakespearean scholars ever since.
So if the Earl of Southampton’s the Fair Youth, who’s the Dark Lady?
That gets really complicated. At least half-a-dozen Dark Ladies have been identified over the years. I’m not going there.
Love Child #1
This may be the sequel to The Love Triangle, but I’ll be honest. I haven’t read Professor Hammerschmidt-Hummel’s books about Shakespeare, or the Dark Lady.
However, I gather that when the Earl of Southampton sneaks home from France in 1598 to marry the pregnant Elizabeth Vernon (historical fact), the child she’s carrying is not his but Shakespeare’s.
And Elizabeth Vernon is the Dark Lady.
The child is a girl (Lady Penelope Wriothesley) who marries into the Spencer family. One of her descendants (Lady Diana Spencer) marries Prince Charles.
That means Prince William and Prince Harry are descended from Shakespeare rather than the Earl of Southampton. Among many others, of course.
Love Child #2
An alternative theory is that the Earl of Southampton is the son of Elizabeth I.
It must have been a difficult labour because she never shows him special favour, apart from not cutting off his head when she has reason to. Any parent can identify with that.
The 17th Earl of Oxford is his biological father. So where’s Shakespeare in all this?
Well, that depends on who you mean by “Shakespeare”. Was the Earl of Oxford the real author of the sonnets and the plays?
The documents in my possession are penned by cats who had the run of several noble households and who must have been privy to Southampton family secrets.
Could Shakespeare himself have come to the attention of these cats?
Certainly, if he were in their vicinity and gave them something nice to eat. Or left his mark somewhere that offended them.
This has led to the Shakespeare Authorship Question. Was “Shakespeare” merely the nom-de-plume of someone who preferred not to publish under his or her own name? Or who didn’t care who claimed the credit for their work? (Refer back to the Earl of Oxford, though he’s not the only contender.)
More Clues, more Codes…
I look forward to it. And I’m looking forward to a truly luxurious old age regardless.
Who knows what price these smelly old papers might fetch, once I’ve finished with them?